Sanyo Digital Camera VCC 4115P User Guide

INSTRUCTION MANUAL  
BEDIENUNGSANLEITUNG  
MANUEL D’INSTRUCTIONS  
VCC-4115P  
COLOUR CCD camera  
CCD-Farbkamera  
Caméra CCD COULEUR  
CCD  
About this manual  
Before installing and using the camera, please read this manual  
carefully. Be sure to keep it handy for later reference.  
A propos de ce manuel  
Avant d’installer et d’utiliser la caméra, veuillez lire ce  
manuel attentivement. Gardez-le à portée de main pour  
toute référence ultérieure.  
Über diese Bedienungsanleitung  
Lesen Sie bitte vor der Montage und dem Inbetriebnehmen der  
Kamera zuerst diese Bedienungsanleitung sorgfältig durch und  
bewahren Sie sie zum späteren Nachschlagen auf.  
 
PRECAUTIONS  
I In case of problem  
I Protect from humidity and dust  
Do not use the camera if smoke or a strange odour comes  
from the unit, or if it seems not to function correctly. Disconnect  
the power cord immediately, and consult your dealer (or a  
Sanyo Authorized Service Centre).  
To prevent damages to the camera, do not install it where  
there is greasy smoke or steam, where the dampness may get  
too high, or where there is a lot of dust.  
I Protect from high temperatures  
I Do not open or modify  
Do not install close to stoves, or other heat generating devices,  
such as spotlights, etc., or where it could be subject to direct  
sunlight, as that could cause deformation, discoloration or  
other damages.  
Do not open the cabinet, as it may be dangerous and cause  
damage to the unit. For internal settings and repairs, consult  
your dealer (or a Sanyo Authorized Service Centre).  
Be careful when installing close to the ceiling, in a kitchen or  
boiler room, as the temperature may raise to high levels.  
I Do not put objects inside the unit  
Make sure that no metal objects or flammable substance get  
inside the camera. If used with a foreign object inside, it could  
cause a fire, short-circuits or damages.  
Install where the temperature range will stay between –10°C  
and 50°C. (no condensation)  
If water or a liquid gets inside the camera, disconnect the  
power cord immediately, and consult your dealer (or a Sanyo  
Authorized Service Centre). Be careful to protect the camera  
from rain, sea water, etc.  
I Cleaning  
Dirt can be removed from the cabinet by wiping it with a soft  
cloth. To remove stains, wipe with a soft cloth moistened  
with a soft detergent solution and wrung dry, then wipe dry  
with dry soft cloth.  
I Be careful when handling the unit  
Do not use benzine, thinner or other chemical product on  
the cabinet, as that may cause deformation and paint  
peeling. Before using a chemical cloth, make sure to read  
all accompanying instructions. Make sure that no plastic or  
rubber material comes in contact with the cabinet for a long  
period of time, as that may cause damage or paint peeling.  
To prevent damages, do not drop the camera or subject it to  
strong shock or vibration.  
I Install away from electric or magnetic fields  
If installed close to a TV, radio transmitter, magnet, electric  
motor, transformer, audio speakers the magnetic field they  
generate will distort the image.  
 
2
English  
PARTS NAMES  
1 Flange-back lock screw (LOCK)  
2 Flange-back adjustment dial  
2
3 Lens mount cap  
The cap is installed to protect the lens mount section.  
Remove the lens mount cap before installing a lens (sold separately).  
4 Camera installation bracket  
3
The bracket can be fixed at the top or bottom of the camera. When fixing the bracket, be sure to  
use the longer screws and install the shorter screws on the opposite side to seal the openings.  
1
4
CAUTION:  
When installing the camera support, select a location that can support the total weight  
of the camera and accessories.  
1 Shorter screws: M3 x 4  
2 Longer screws: M3 x 6  
3 Camera mounting  
screw hole:  
1/4"-20 UNC  
 
English  
3
PARTS NAMES  
5 Camera setup section  
6 White balance adjustment volume (R or B)  
7 Line phase adjustment volume (PHASE)  
8 Lens iris adjustment volume  
9
9 Lens iris output connector (LENS)  
This 4-pin connector is used to send the DC control signal and power supply to an auto-iris type  
lens.  
8
7
6
5
F Video output connector (VIDEO OUT: BNC type)  
Connect this connector to a device such as a VCR or monitor with a VIDEO IN connector.  
G 24 V AC or 12 V DC input terminal (AC24V, DC12V, GND)  
H Power indicator (POWER)  
Comes on when the power to the camera is on.  
H
I Power supply connections  
F
Use a 3 wire grounded cable (22 AWG or more), and connect as shown by the illustration.  
G
CAUTION:  
To prevent camera and/or AC adaptor failure, pay close attention to polarity when making  
the connections.  
To prevent fire hazard any UL listed wire rated VW-1, should be used for the 24 V AC cable  
input terminal.  
 
4
English  
MOUNTING THE LENS  
Please use a DC type auto-iris lens (sold separately).  
1
Check the lens mount  
Do not use a lens if the length “L” is more than 5 mm. That may damage  
the camera and prevent proper installation.  
C mount type lens  
L
2
1 Remove the lens mount cap from the camera.  
2 Install the auto-iris lens.  
CS mount type lens  
Carefully align the lens mount with the camera opening, then turn the lens slowly to install it.  
C mount type lens  
3
To allow for flange-back adjustment, install the C-mount adaptor (option) on the lens mount,  
then carefully align the lens mount with the camera opening and turn the lens slowly to install  
it.  
2
CS mount  
type lens  
3 Connect the lens plug to the lens iris output connector (LENS) on the side of the  
camera.  
When using lenses from other makers, the plug shape may not correspond to the terminal on  
the camera. In such a case, remove the original plug and using a soldering iron, connect the  
supplied lens iris plug according to the diagram. (Refer to page 6.)  
 
English  
5
MOUNTING THE LENS  
I Pin layout  
DC type lenses  
Brake coil (–)  
Brake coil (+)  
Drive coil (+)  
Drive coil (–)  
2
4
1
3
1
2
3
4
I Flange-back adjustment  
If the pick-up surface is not correctly positioned with relation to the lens focal point, the picture  
will be out of focus (in particular when using auto-iris power zoom lenses, sold separately). If that  
is the case, adjust the flange-back position as described below.  
3
1 Using a + screwdriver, loosen the flange-back lock screw (M2:+).  
2 Set the zoom lens to the maximum telephoto position, set the focus using the focus ring on  
2
the lens.  
1
3 Set the zoom lens to the maximum wide angle position, set the focus using the flange-back  
adjustment dial.  
4 Repeat steps 2 and 3, until the image stays in focus when changing from a telephoto shot to  
a wide angle shot. When the setting is complete, tighten the flange-back lock screw.  
 
6
English  
CONNECTIONS  
1
24 V AC connection  
12 V DC connection  
(A)  
GND AC24V  
GND AC24V  
DC12V  
DC12V  
Figure 1  
Figure 2  
(Video signal connections)  
: VIDEO IN  
: VIDEO OUT  
Basic connection for monitoring or recording  
The peripheral devices (VCR, monitor, lens, etc.), AC  
adaptor and cables are sold separately.  
3 Insert the plug of this power cord into a wall outlet.  
The POWER indicator (A) will light. Adjust the picture on  
the monitor using the Brightness and Contrast controls etc.  
1 Make the video signal connection between the camera  
and the monitor or time lapse VCR.  
I Coaxial cable type and maximum length  
2 Connect the power supply.  
Cable type RG-59U (3C-2V), 250 m maximum.  
Cable type RG-6U (5C-2V), 500 m maximum.  
Cable type RG-11U (7C-2V), 600 m maximum.  
• If using a commercially-available 24 V AC adapter,  
always be sure to connect the ground wire (18AWG or  
higher) to the ground terminal. (Figure 1)  
CAUTION:  
• If using a 12 V DC power supply, make the connections  
as shown in Figure 2.  
The RG-59U type cable should not be run through electrical  
conduits or through the air.  
Note:  
Use CCTV/Video-grade coaxial cable.  
• In order to avoid any problems with the camera and the  
power supply, take sufficient care to ensure that the  
polarities are correct when connecting the power supply.  
 
English  
7
SETTINGS  
I Camera setup section  
No.  
Settings  
Position  
AI  
Electronic Iris (EI)/Auto iris (AI) setting  
Aperture compensation setting  
• SHRP (sharp)/NORM (normal)  
Backlight compensation mode setting (BLC)  
• MULTI (Multi)/OFF  
1
2
SHRP  
OFF  
3
4
5
6
7
7
Backlight compensation mode setting (BLC)  
• CENT (Center)/OFF  
OFF  
White balance setting  
ATW  
• MANU (manual)/ATW (auto tracing white balance)  
Syncronisation (SYNC) setting  
• LL (Line lock)/INT (Internal sync)  
Lens iris adjustment  
34  
12 56  
INT  
 
8
English  
SETTINGS  
I Iris function setting 1  
This should normally be set to the down (AI) position.  
When using an auto-iris lens (for indoor/  
outdoor use)  
Use a manual or fixed iris lens and set the lens aperture to the  
shortest F stop. Set the switch 1 to the up (EI) position.  
Set the switch 1 to the down (AI) position.  
CAUTION:  
If conditions are outside the electronic iris operation range or  
more than the maximum illumination, it will cause saturation of  
the CCD. In that case, use a manual iris lens.  
EI  
AI  
I Aperture 2  
If you would like to emphasize the contours of the object, set  
Note:  
Please refer to the specifications for dynamic range of the  
electronic iris.  
the switch 2 to the up (SHRP) position.  
SHRP  
CAUTION:  
The electronic iris is suitable for normal indoor use. When  
the switch 1 is set to the up (EI) position, do not use an  
auto-iris lens.  
NORM  
If used under fluorescent light, the image may flicker. In  
such a case, change to incandescent lighting or set the  
switch 1 to the down (AI) position and use an auto-iris  
lens.  
When shooting bright subjects, pay attention to the light  
angle in order to avoid or minimize the smear phenomenon  
effect.  
 
English  
9
SETTINGS  
(MULTI mode: 64 sections)  
I Backlight compensation setting 3 4  
This camera has two different backlight  
correction functions: multi-spot  
MULTI CENT  
photometry (MULTI) and center focus  
photometry (CENT). The normal setting  
(switch 3 and 4) is the down position,  
but you can change the switch 3 or 4  
setting in accordance with the backlight  
conditions.  
3
4
• MULTI mode: Use this position when applying backlight  
(CENT mode)  
compensation to the whole of the screen.  
• CENT mode: Use this position when applying backlight  
compensation to only the central portion of  
the screen.  
Note:  
When using the backlight compensation function, set the  
switch 3 or 4 to the up position. When not using the  
function, set the switch 3 and 4 to the down (OFF)  
position.  
When MULTI mode is set, scenes with no backlighting may  
appear extremely dark and the object may appear over-  
exposed. If this happens, move the switch 4 to the up  
(CENT) position.  
 
10  
English  
SETTINGS  
I White balance adjustment 5  
I Line phase adjustment 6  
Normally the switch 5 is set to the down (ATW: auto white  
balance) position and the white balance is adjusted  
automatically. If a manual white balance adjustment is  
necessary, follow the steps below.  
When using a camera switcher to connect 2 cameras or more  
to one monitor, there may be a vertical roll of the images when  
switched. In such a case, set as described below.  
1 Set the switch 6 to the up (LL) position.  
Set the switch 5 to the up (MANU) position, then adjust the  
colour.  
2
Switch the display on the monitor from camera 1 to camera 2.  
Adjust the Line PHASE volume on camera 2 until the  
Turn R to set the red ratio and/or B to set the blue ratio.  
vertical roll of the image stops.  
MANU  
If more than two cameras are used, please repeat this  
procedure for all the cameras.  
R
WB  
B
ATW  
LL  
INT  
CAUTION:  
If the vertical roll cannot be corrected by setting the Line  
PHASE volume on camera 2, try setting the Line PHASE  
volume on camera 1. If it still cannot be corrected, please  
check that the polarity of the power cords of all connected  
devices is correct.  
 
English  
11  
SETTINGS  
I Lens iris adjustment 7  
If using a DC type auto-iris lens, you will need to set the  
LEVEL volume when shooting in the conditions described  
below.  
L
H
LEVEL  
L (counterclockwise): To decrease the contrast  
H (clockwise): To increase the contrast  
If shooting simultaneously in a dark room and through a  
bright window.  
If the subject background is extremely bright or dark.  
If the brightness of the picture on the monitor is not correct.  
 
12  
English  
TROUBLESHOOTING  
Before taking the camera for repairs, please check below to make sure that the camera is used correctly. If it still does not perform  
correctly, please consult your dealer or a Sanyo Authorized Service Centre.  
I No picture on the monitor screen  
Is the power turned on to all connected devices? Is the voltage correct?  
Are all the signal connecting cables correctly connected?  
Is the lighting sufficient?  
Has the lens cap been removed?  
Is the iris control correctly set?  
I The picture is not clear  
Is the monitor correctly adjusted?  
Is the flange-back position correctly set?  
Is the lens focus correctly adjusted?  
Are the lens surfaces clean?  
If there is dust or finger prints on the lens, the image quality will deteriorate. To clean the lens use a soft cloth or a commercially  
available lens cleaning set.  
SERVICE  
This camera is a precision instruments and if treated with care, will provide years of satisfactory performance. However, in the  
event of a problem, the owner is advised not to attempt to make repairs or open the cabinet. Servicing should always be referred to  
your dealer or Sanyo Authorized Service Centre.  
 
English  
13  
SPECIFICATIONS  
I Camera:  
Environmental conditions : Temperature: –10°C – +50°C  
Humidity: less than 90%  
Scanning system  
: PAL standard  
(625 TV lines, 25 frames/sec.)  
: PLL 2:1 interlace  
: 1/4 inch solid state image  
device CCD  
: 537 (H) x 597 (V)  
(no condensation)  
Power supply  
: 24 V AC, 50 Hz/12 V – 15 V DC  
Interlace  
Image device  
Power consumption  
: Approx. 2.8 W (with AI, lens)  
Approx. 2.2 W (without AI, lens)  
Weight  
: Approx. 280 g (without lens)  
Picture elements  
Effective picture elements : 500 (H) x 582 (V)  
Synchronizing system  
: Internal sync, Line lock  
manually switchable  
Resolution  
: 350 TV lines horizontally, 400  
TV lines vertically  
SERVICE  
This camera is a precision instruments and if treated with care,  
will provide years of satisfactory performance. However, in the  
event of a problem, the owner is advised not to attempt to  
make repairs or open the cabinet. Servicing should always be  
referred to your dealer or Sanyo Authorized Service Centre.  
Video output level  
Video S/N ratio  
Minimum required  
illumination  
: 1.0 Vp-p/75 ohms, composite  
: More than 48 dB  
: Approx. 0.9 lux with a F 1.2  
lens  
(incandescent lighting)  
Backlight compensation : MULTI/OFF switching,  
CENT/OFF switching  
Iris function  
: Manual EI/AI switching  
Electronic iris range  
: 0.9 lux to 45,000 lux (F 1.2  
lens)  
Flange-back  
White balance  
Lens mount  
: 12.5 mm 0.5 mm  
: ATW/Manual switching  
: CS mount  
 
14  
English  
SPECIFICATIONS  
I Dimensions  
108  
99  
56  
1.4  
45  
10.7  
16  
M6  
28  
25.8  
Features and specifications are subject to change without prior notice or obligations.  
 
English  
15  

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